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A Private Universe:A Statement about David GregoryDavid
Gregory was born in Dromana on Victoria’s Mornington Peninsula and currently
resides in nearby McCrae. His
passionate intrigue with quirky, mysterious and unique imagery can be traced
as far back as kindergarten. His friends would draw a picture of their dad’s
head with stick-like legs poking out from the neck, whilst Gregory produced a
detailed painting of a scuba diver riding on a giraffe’s back. In
his final year of secondary school, he was awarded the prestigious Peninsula
School Hazel Sholl Art Prize for excellence in painting. Shortly after, he
received a “Special Distinction” for Higher School Certificate Art. (One
of only five in the state) He
studied tertiary art at Melbourne State College in the late 1970’s, (now
Melbourne University), under the guidance of many prominent art lecturers and
artists, culminating in a sell-out exhibition in his fourth year. He graduated
with Honours and was accepted in to the Royal Melbourne Institute of
Technology to study his Master’s degree in ceramic sculpture but was unable
to proceed due to teaching commitments. Since
then he has contributed to twenty-eight exhibitions throughout Australia and
is represented in private collections in Australia, Great Britain, The United
States of America and Hong Kong. Gregory’s
paintings are often conceptual, relying on metaphors and invented landscapes
to capture the attention of the viewer, who in turn is urged to guess at a
meaning which may suit them personally. His paintings are not depictions of a
specific geographic region, but more an evocation of the essence of a place,
combined with the artistic licence of his whimsical imagination. He
has taught art in secondary schools for over twenty years and currently
teaches at Mount Eliza Secondary College, Victoria, Australia.
My Private Universe:A Statement by David GregoryMy current ceramic 3Dworks are the result of over 20 years of exploring texture and shape in clay. They are a natural evolution of once often complex, ambiguous works, whose forms have been distilled into the purity and essence of crescent-like horns; things of beauty and also, symbols of extinction. The surface is now a three dimensional 'canvas' upon which I create anything from meticulous under-glaze images through to Japanese-inspired crackle glazes. Sometimes these have windows cut into them, encouraging the eye to explore within these spaces, and yet paradoxically, the openings are barred by criss-crossed wire, foiling any attempt to look more closely.The sculptural themes have spilled over into my paintings and drawings - an area where I am permitted more freedom to express ideas, concepts and spiritual notions which "scratch at the door" of my mind. The images are simply always there, emerging and evolving through connected themes. Much of my work is invented mythology where various elements seem to irrepressively reappear and I find myself accommodating them, like the custodian of a shelter for wayward thoughts. Some locations depicted are geographically nowhere in particular, but may be reminiscent of anywhere from the Australian outback, a Tuscan field, a curtained stage, or another planet. They are often evocations of a district, capturing the lingering, transient qualities which fascinate me - places where "reality" collides with the artistic licence of my whimsical imagination. David Gregory December 1999.
David Gregory's Resume
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